This Halloween weekend Art of Bleeding will be returning to The Steve Allen Theater to present an enlarged (“inflamed”? “engorged”?) version of our 2006 Halloween car crash show. This excerpted video, shot by Chuck Cirino of Weird TV, should give you a taste of what lies in store for guests of our 2011 extravaganza. The man with the mic is one of our returning perfomers Danny Shorago of The Fuxedos, America’s favorite apocalyptic comedy art-rock band. Music is “Gambled and Lost” from The Art of Bleeding’s Music from the Magic Ambulance.
Our Halloween weekend extravaganza at the Steve Allen Theater will feature a rare live appearance by the enitmatic band/art-collective known as Bouncehausen. Preferring to perform under pitch black conditions only intermittently interrupted by seizure-inducing blasts from a strobe, this reclusive group have rarely been photographed. However, our sources assure us that the pitiable creatures featured in the photographs above are among its key members.
On October 28, 29, and 30th, Bouncehausen’s performance will take place indoors on the theater stage, before, during, and probably long after the outdoor show takes place. Intrepid visitors are invited to wander in and experience Bouncehausen at any point during the evening. During the course of their 72-hour performance they are expected to sustain and relieve themselves through intubation.
A spokesperson for the group has released this statement:
Bouncehausen will sonically recreate the exact moment of impact of a terrifying automobile crash, slow it down 300 million times and stretch it into one seven hour epic “song” that will take three days to play. If you are able to witness even a small part of this historic event you will have a much greater understanding of what it sounds like to exist on a molecular level as steel and glass twist and explode.
(WARNING: Bouncehausen contains members of Woodpussy, WACO, Millisecond Evolution and Gingerbread Swastika. Please be advised)
The Haniwa All-Stars were a delightfully bizarre 1980s musical freak show, created by master drummer and musical provocateur Kiyohiko Senba. While their musical style was all over the map, their costuming was consistent: pajamas or nurse uniforms.
Guitarist and fellow experimentalist Henry Kaiser describes on the Mutant Sounds blog thusly:
“Many of the members are big pop and/or jazz stars in Japan. Senba is the writer-arranger-conductor-madman behind this band. I suppose that the only person that you might compare Senba to in America, in terms of scale of ambition, is Frank Zappa. (Although Senba’s music has absolutely nothing to do with Mr. Zappa or his musical interests.) Senba is spectacularly successful with his truly insane, giant, all style-encompassing musical vision. It’s too bad you will never ever see this release in any American record shop. Too bad that we are so culture-bound over here.”
Pictures of burning children always catch our attention. Particularly old-timey pictures of burning kids like this one from She Walks Softly. Turns out, this one is a little too good to be true, as it’s not the vintage advertisement for some the kooky product it purports to be, but the work of contemporary designer and illustrator Christian Northeast.
Even though I’d seen this marshmallow roast gone terribly wrong before, I’d assumed it was mere Photoshop trickery, so was surprised to learn these are genuine flesh-and-blood children staging a pyrotechnic stunt for reality TV show pilot. The kids are part of a family of stunt professionals headed by TK TK Dunn, and have performed in many movies including Catwoman, X-Men II, and Scary Movie, and others. No word was to whether the pilot ever sold
Cigarette cards were the bubblegum cards of their Edwardian day. It seems fitting that a cigarette manufacture should produce instructional material on fire safety, though this was only one in a series of hundreds of unrelated to the dangers or ill-effects of smoking, so it would be a bit of a presumptuous to conclude this was offered as a sort of product warning.
The final word in burning children art would have to come from the pen of early German psychiatric pioneer Heinrich Hoffman, who in 1845 created both verse and illustration for his collection of cautionary tales for children Der Struwwelpeter, translated for American audiences by Mark Twain as Slovenly Peter. Peter, a child whose grooming habits were wildly out of control, was one of a host counter-exemplary children, which also included the tale of naughty Pauline (pictured here) whose fascination with matches ends badly despite the best advice of her cats.
Hoffman’s “The Dreadful Story About Matches” was later republished in many editions, sometimes with different illustrations such as this one featuring an older Pauline no longer toting doll and perhaps already on the verge of puberty, a state some scholars have associated with the graphic decision to move the fire from its original location on the child’s back to the more suggestive position shown here.